Last weekend I attended my second Brisbane Writers Festival held at the State Library of Queensland. It was a really interesting day filled with tours and talks. I started by joining a curator-led tour of the exhibition Plantation Voices in the Philip Bacon Heritage Gallery. A huge thank you to Imelda Miller for her wonderful and informative tour. I really appreciated hearing about the decision-making process behind why certain objects and themes were included. It added this incredible new layer to seeing the exhibition. I want this post to focus on the exhibition and tour then briefly mention the other two events I attended at the end. Continue reading “State Library of Queensland: Brisbane Writers Festival”
I want to begin this blog post by saying this exhibition, NASA – A Human Adventure, has been created to celebrate 50 years since the Moon Landing. Since then, the historiography of who was involved has been revised exposing those, particularly women, who achieved virtually the impossible to make the event happen. Unfortunately, this exhibition does not include them. I wanted to get this out of the way because I was so excited to see the exhibition and left feeling as if these important figures in history have yet again been hidden. This was a real opportunity to include these forgotten histories. Alas, the opportunity was not grasped and I believe the exhibition suffered from it. Continue reading “Queensland Museum: NASA – A Human Adventure”
A huge thank you to everyone who voted on my Instagram poll ‘should I blog about the heritage-listed Howard Smith Wharves?’ The result was 100% yes, so here we go. For those of you who would like to follow me on Instagram, my username is @curateyourownadventure. Or, you can click the Instagram icon on my home page! Continue reading “Howard Smith Wharves”
Yesterday I visited the Gallery of Modern Art (GOMA) to see The 9th Asia Pacific Triennial of Contemporary Art (APT9). This is the first time I’ve ever seen this triennial art show. I was expecting maybe two or three rooms displaying a small number of artworks. Instead, I was really surprised that the exhibition is in fact huge and spreads over two floors at GOMA plus has a presence at the Queensland Art Gallery. There were a few artworks in particular that caught my attention, which I will cover in this blog post. First though, here is some context. Continue reading “Gallery of Modern Art: The 9th Asia Pacific Triennial of Contemporary Art (APT9)”
The theme for this month’s GLAM Blog Club is…….Serendipity. When you literally Google ‘definition: serendipity’ you get the following: “the occurrence and development of events by chance in a happy or beneficial way.” As soon as I saw the theme, one particular event came to mind that I’d like to share.
Queensland Parliamentary Library Curatorial Project
In 2013 I was approached by one of my lecturers at The University of Queensland to be part of a research project team working with the O’Donovan Collection at the Queensland Parliamentary Library. The O’Donovan Collection is this incredible array of rare books covering all sorts of topics from botany to philosophy and everything in-between. It dates back to 1860, when Queensland Parliament was formed. The collection was amassed to ensure that the Parliament had access to a contemporary series of books and manuscripts. One of the most notable collectors was Denis O’Donovan, Queensland Parliamentary Librarian from 1874 to 1901. He catalogued the collection so that future generations could more easily find information. Yay for cataloguing. Continue reading “GLAM Blog Club: Serendipity”
This evening I attended the opening of Second Sight: Witchcraft, Ritual, Power at The University of Queensland Art Museum. In 2015 I completed my Honours in history focusing on the memorialisation of the Salem Witch Trials in Salem and Danvers, Massachusetts. Needless to say, I have a very special place in my heart for anything to do with witchcraft. I was really looking forward to this exhibition and jumped at the chance to attend the opening.
Before entering the exhibition, there is a panel explaining why this exhibition has been curated and what it’s hoping to achieve. According to the panel, the historical etchings and contemporary artworks seek to depict or disrupt ideas of witchcraft. Whereas some of the historic pieces have quite stereotypical depictions, the contemporary works delve deeper into themes of gender, nature and sexuality, to name a few.
It worked really well not having the works displayed chronologically. Instead, as the panel states, the exhibition becomes less literal and more open to interpretation. If I were seeing purely historic artworks, I would argue the opposite and hope they would be displayed in some sort of chronological or geographical way.
Words cannot really express how bizarre it was seeing this exhibition of 100 miniature chairs inside St John’s Anglican Cathedral. For quite some time the exhibition was scheduled to be on display at the Living Edge Brisbane Showroom – hosts of the exhibition. I can only imagine something happened last minute and this was no longer possible. Either that, or the decision was made to make this a truly spiritual experience.
The exhibition contains 100 miniature chairs, all in their own little Perspex box. The first chair is from 1870 and the final, from 1990. They essentially look like doll house chairs – if that helps you to visualise what is meant by the word miniature. There are three components I want to discuss: layout, content, and labels. Continue reading “Vitra 100 Miniatures Exhibition”